• Albums,  Reviews

    L’Orange & Kool Keith, ‘Time? Astonishing!’

    Time AstonishingAs a rising producer from North Carolina, L’Orange has built a sound signature rooted in the past yet wholly his own. You can trace a line between his MPC rips of black-and-white TV shows back to Madlib’s zonked-out tapestries on Madvillainy, and Daedelus’ surrealist lounge music for The Weather. But over the past few years, and especially in 2015 through projects like After the Flowers and The Night Took Us In Like Family (the latter made with L.A. rapper Jeremiah Jae), the man who bears the same name as Gilbert Bécaud’s 1964 French chanson has cobbled something wholly unique. On his best work, he stacks his vocal snatches into something approaching a narrative, and adds bebop and exotica tones, while creating enough rhythmic thrust to avoid slumping into a downtempo-like torpor.